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Suicide Dorian Gray, "bitch" by Toto

took his own life with a gunshot

TRENTO - It 'died tragically on February 16 Torcegno, Trentino, magazine and film actress of the 50s and 60s, Maria Luisa Mangini, aka Dorian Gray, who had appeared among others in the movie' Toto ', Peppino and Malafemmina '. The actress, 75, and is' committed suicide with a pistol.

Maria Luisa Mangini was born in Bolzano, debuted in the magazine 'Vote for Venus' (1950) with Erminio Macario and Gino Bramieri and had continued his career in theater magazine alongside Wanda Osiris, Alberto Sordi, Ugo Tognazzi and Raimondo Vianello. Later it was given to the film taking part in numerous films in the fifties, especially gender brilliant.

Among his roles there 'that the bitch in 'Toto', Peppino e. .. the bitch '(1956), the stage actress who falls for the nephew of Toto' e Peppino De Filippo. Federico Fellini call it 'to play the role of Jessica's lover Amedeo Nazzari in' Nights of Cabiria '.

He also took part also in 'The Cry' by Michelangelo Antonioni in the shoes of Virginia petrol station attendant. For the film 'Wives' dangerous' by Luigi Comencini (1958) received a Silver Ribbon for Best Supporting Actress. In the mid 'sixties, I leave' career going to live in Trentino, in the area of \u200b\u200borigin of the mother. (ANSA)

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Fashion: From bustier the tuba, the Unita 'd'haute couture dresses in Italy

Gattinoni, Balestra, Lella Curiel, Nino Lettieri, Rami Ali, Jack Guisso, Abed Mahfouz, Tony Ward. Even high fashion parade in homage Unita 'd'Italy. A Renaissance Revisited, correct, re-actualized in the middle of a timeless debate. On the catwalks of the Holy Spirit in Sassia paraded the dress Tricolore signed by the Gattinoni Guillermo Mariotto, Italy, worn by Miss Francesca Testasecca. Renato Balestra, music lover and big fan of classical music, personally chose the soundtrack of his show. Another tribute Unita 'd'Italy by Mascagni Biagio Antonacci quoting Gianna Nannini, awaiting the homage that the city' of Los Angeles will dedicate 'the famous Roman couturier, March 27 parade, where Dress greens, reds and whites. Michele Miglionico choose a dedication to the Prancing Horse, Piazza Exedra, traveling in the event, 'Tribute to Ferrari', designed by Antonio Ferrari, president of the nonprofit cultural Epic, Gio 'Warriors bowler Launches' Long live 'Italy', Roberto Capucci, and 'has started with one of his sculptures at the Museum Braschi. Once again, the Lebanese designer Abed Mahfouz is proving a mediator between western and eastern culture. To defile the 'Roman has chosen to pay homage to Italy with the green of the Tricolor, reinterpreting colors with pistachio and Arcadian. A sign of hope for a future no longer 'stained with blood and violence.

Raffaella Curiel has instead opted for a narrow Tricolore put a white belt with embroidery in relief (1861-2011) who opened the defile 'Roman accompanied innate di Mameli

historical period still full of reminders, suggestions, memory, the unit. A moment of reflection, especially today, in times of federalism. But high fashion, even in the past, and 'often inspired by the glories of the Risorgimento. The 50s, crinoline dresses by Dior and Givenchy, but also Shubert, the Sorelle Fontana, Mme Fernanda Gattinoni. But even the brocade, trimmings, light cotton fabrics. Dyed, printed, which were made with starched clothes day. How those imagined by Alberta Ferretti and Luisa Beccaria. Haute couture for women who unconsciously brings to the courage, ambition, dedication of women who have contributed significantly to dream unit. Virginia Countess of Castiglione, Cristina Trivulzio of Belgaum, immortalized in bustier and transparency, long silk gloves, lace and embroidery, Mario Martone in his latest film 'We thought,' Elena Casati Sacchi, wife of Federico Confalonieri, Maria Teresa Serego Alighieri next to the ladies of the house Litta, Borromeo Visconti. Too often, the British designer Vivienne Westwood has said, through his spectacular outfits, the nineteenth century. Damask, taffeta, hoods. Grandeur and opulence. But

and 'especially in men's fashion that the spirit and unity 'yet. A constant in the collections of historic house made in Italy. The tails of Pignatelli, jackets damask, brocade vest. The elegance and style inspired by Costantino Nigra, philologist, poet, diplomat, a senator of the Kingdom, in a collection signed Litrico. And next to the tuba, the hat-shaped cylinder, the pin stops ties, button covers, silver cufflinks, spat on his shoes like the 800, branded Cesare Paciotti, immortal scarves, shawls, clutch the wrist, sleeves (remember Anna Karenina?). But the jewels and bags signed by patriotic princess Lucia Odescalchi (enamel red, turquoise and white), by Cristina Rotondaro by Pino (rubies, emeralds and diamonds for earrings and rings), the pair of Inzillo by Michael Calabresi Marconi driving 'Saddlers Union'. the historical brand of leather in the capital for the celebrations of 2011 raises the ITA Miki, lined inside with ventricular tissue. Nationalism''and the love for Italy is something we carry inside - confessed Michael Marconi - Feelings deep impregnable secrets. Never ostentatious, as our accessories.'' (PHOTOS)

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The Treasure of San Gennaro on display for the first time in history

ROME - For the first time in history, the most prestigious works the legendary treasure of San Gennaro will be on public display in the exhibition 'The Wonders of the Treasure of San Gennaro. The stones of Devotion 'to be held in Naples, in seven different museums in the old city, from 8 April to 12 June.

This is an event of great impact: the treasure of the patron saint of Naples, in fact, is the largest in the world for artistic and economic value, as more wealth to the treasury of the Crown of England and the Czar of Russia.

A certainty written black on white the inquiry, carried on for three years by a team of gemologists and historians on the 10 most precious jewels of all those given over to the holy seven centuries. Seven people, led by Professor Ciro Paolillo (La Sapienza), have set up a room at the Banco di Napoli and scientific investigation on the works and the individual stones (between more than two thousand diamonds, rubies, emeralds, sapphires, pearls) certifying that the last Treasure of San Gennaro is the largest in the world. Experts have preferred not to provide any estimate of the works, since the values \u200b\u200bof "priceless", in fact, staggering. No wonder, then, that for the transfer of the materials will be taken extraordinary security measures, armored vehicles, armed guards, sophisticated alarm systems. The center of Naples will be protected by helicopters of the Carabinieri. There are already required to carry the show in Rome in 2012, but in April will naturally Naples on stage the event.

The show is, in fact, from the Museo del Tesoro di San Gennaro in collaboration with the Superintendency for the Museums of Naples and with the patronage of the Head of State and the President of the Senate. It also wants to be an opportunity for redemption for the city of Naples, promoting and celebrating the most important artistic and cultural heritage of the world and at the same time making system in the area. The exhibition will develop it - if only in urban exposure - at seven sites including several museums in the historic city center. With a single integrated ticket, so the visitor can admire not Only about 100 works from the treasure of San Gennaro (including the ten fabulous jewelry, displayed in the Museum of the Treasury), but also masterpieces like 'The seven wonders of the works' by Caravaggio (Pio Monte della Misericordia) and the precious paintings Luca Giordano (Diocesan Museum) and places immense artistic value, will reopen for the occasion, as the Monumental Complex of Girolamini or the ancient Porta del Duomo.

Ten are the jewels on display in the Museum of the Treasury, the so-called 'ten wonders'. The gold necklace, silver and precious stones (rubies, emeralds, diamonds ...) Since Michael was built in 1679 and was commissioned by the Deputation of the Cappella del Tesoro di San Gennaro for the bust reliquary of the saint. From 1679 to 1879, the year he definitely consolidated, the series are the numerous joys''''donated by kings, popes and devotees. The Silver Cross in 1707 and Corals is a gift of the Hope family. Exemplary significant evidence that the prevalence was in Naples in the Baroque era the use of coral approached the silver in both the secular and religious. Mitra gold rubies, emeralds and diamonds was created by Mr. Matteo Treglia (1713) and was also commissioned by the Deputation of the Cappella del Tesoro di San Gennaro to the reliquary bust of the saint, to replace the previous one (composed of pearls and precious stones). For this work, the Deputation spend some of the joys of the Treasury, adding to these other joys purchased for the occasion, with the offers of the clergy, the people and artisans of the time. Among the jewels in the cup gold, rubies, emeralds, diamonds goldsmith court Michele Lofrano, commissioned and developed by Ferdinand de Bourbon in 1761.

The monstrance in silver and jewels (1808) was donated as an act of devotion to the patron by Joachim Murat to his arrival at the suggestion of Napoleon and is one of the rare cases in which Napoleon has not sacked, but won. The pyx jeweled gold, rubies, sapphires, emeralds and diamonds (1831) was donated by King Ferdinand II in 1831. The monstrance in gold, precious stones precious, beads, enamel (1837) is a splendid example of Baroque revival of models in an object from the neo-classical characters now. The monstrance was given by Maria Theresa of Austria on the occasion of her marriage to Ferdinand II. The Chalice of gold (1849), donated by Pope Pius IX in 1849 to thank the people of Naples after being housed in asylum because of Mazzini's movements in Rome, is one of the few manufacturing Neapolitan not having been made by the goldsmith to Valadier Rome. The Cross Episcopal gold, emeralds and diamonds, was donated by King Umberto I and Margherita of Savoy, 23 November 1878 on the first visit to Naples after their recruitment to the throne, to pay homage to the patron saint of the city thus giving the Cappella del Tesoro in a cross strap with lapis lazuli and precious stones in gold. Finally, the ciborium gold coral and malachite (1931), produced by the famous Tower of the Greek family of Ascione and donated by Umberto di Savoia November 5, 1931 when he moved with his wife in Naples Jose.

All works exhibited in the Museo del Tesoro di San Gennaro will be accompanied by original documents of the Archives of the Chapel of San Gennaro. Rare scrolls that bear witness not only the contracts and commissions with their payments, but also the rare sketches of the works produced by artists with the materials used and the old papal bulls with the right foundation attributed to the Deputation of the Chapel of San Gennaro. (Adnkronos)

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Arcimboldo at Palazzo Reale in Milan

tribute to the artist who captivated the European courts of the sixteenth century

Artist extravagant as famous at the European courts of the sixteenth century, Giuseppe Arcimboldi, Arcimboldo said, and 'remembered in Milan, his Chico 's hometown, with a major exhibition, open to the public in the Royal Palace from 10 February to 22 May.

Arcimboldo (1527-93 Milan) parts' of the school of Leonardo, inspired especially the''grotesque''drawings, in which the teacher focused his work on physiognomy. However Arcimboldo development 'excess this address, with whimsical art, but strong, making most famous for having represented human heads made up of bundles of fruit and vegetables. He succeeded especially in the Habsburg court in Vienna, where he lived for a long time and where is most of his works.

After his return to Milan in 1587 and after his death, however, Arcimboldo was forgotten for centuries, in which his works were generally attributed to the school''Leonardo''. The rediscovery of Arcimboldo and 'took place around a century ago, and he and' was considered an unusual precursor of Surrealism. The exhibition in Milan and 'curated by Sylvia Perino, director of the Art Gallery of Kunshistorisches Museum in Vienna, which provides the core frameworks and more. Others arrived from Monaco, Madrid, Stockholm, New York and the Louvre in Paris. Also on display are works by other contemporary artists working in Milan with the young Arcimboldo: Girolamo Della Porta, Bernardino Luini, Giovanni Antonio De Predis, Cesare da Sesto, Francesco Melzi, John P. Lomazzo, John A. Figino, Vincenzo Campi, Camillo Procaccini. (ANSA)